Winslow Homer The Red Canoe painting

Winslow Homer The Red Canoe paintingDaniel Ridgway Knight Daniel Ridgway Knight painting
something that was as fleeting and as incommunicable, in its beauty, as that one bar of music he remembered, or those lovely little girls with their ever joyful, ever sprightly dance on some far and fantastic lawn—serenity, a quality of repose—he could not call it by name, but only knew that, somehow, it had always escaped him. As he sat there, with the hunger growing and blossoming within him, he felt that he had hardly ever known a time in his life when he was not marching or sick with loneliness or afraid.
And so, he thought, they had all had it, in their various fashions. The Colonel had had his march and his victory, and Culver could not say still why he was unable to hate him. Perhaps it was only because he was a different kind of man, different enough that he was hardly a man at all, but just a quantity of attitudes so remote from Culver's world that to hate him would be like hating a cannibal, merely because